{"id":33,"date":"2018-08-08T20:37:12","date_gmt":"2018-08-08T20:37:12","guid":{"rendered":"http:\/\/dagmarsaskova.myartsonline.com\/?page_id=33"},"modified":"2019-08-06T17:41:46","modified_gmt":"2019-08-06T17:41:46","slug":"bio","status":"publish","type":"page","link":"https:\/\/www.dagmarsaskova.com\/cz\/bio\/","title":{"rendered":"\u017divotopis"},"content":{"rendered":"

Mezzosopranistka Dagmar \u0160a\u0161kov\u00e1 (1978) poch\u00e1z\u00ed z Rakovn\u00edka. Vystudovala s\u00f3lov\u00fd zp\u011bv (p\u011bveck\u00e1 t\u0159\u00edda Ludmily Kotnauerov\u00e9), hudebn\u00ed v\u00fdchovu a psychologii na Pedagogick\u00e9 fakult\u011b Z\u00e1pado\u010desk\u00e9 univerzity v Plzni<\/a>. V roce 2002 z\u00edskala 2. cenu na P\u011bveck\u00e9 sout\u011b\u017ei Leo\u0161e Jan\u00e1\u010dka<\/em> v Brn\u011b a zvl\u00e1\u0161tn\u00ed cenu Bohuslava Martin\u016f<\/em>.
\nV letech 2003\u20132007 pokra\u010dovala ve studiu zp\u011bvu na Jan\u00e1\u010dkov\u011b akademii m\u00fazick\u00fdch um\u011bn\u00ed v Brn\u011b<\/a> u Mgr. Art. Marty Be\u0148a\u010dkov\u00e9. V \u010dervnu 2008 dokon\u010dila studium barokn\u00edho zp\u011bvu v Centru barokn\u00ed hudby ve Versailles<\/a>.<\/p>\n

Jako s\u00f3listka Dagmar \u0160a\u0161kov\u00e1 aktu\u00e1ln\u011b spolupracuje se soubory Centra barokn\u00ed hudby ve Versailles<\/a>, Akad\u00eamia<\/a>, Correspondances<\/a>, Il Festino<\/a>, La Fenice<\/a>, La R\u00eaveuse<\/a>, Le Concert bris\u00e9<\/a>, Les Paladins<\/a>, Pygmalion<\/a>, Le Po\u00e8me Harmonique<\/a>, Sagittarius<\/a> a takt\u00e9\u017e s pra\u017esk\u00fdm souborem Musica Florea<\/a>. Mezi v\u00fdznamn\u00e1 CD <\/a>Dagmar \u0160a\u0161kov\u00e9 pat\u0159\u00ed Grands motets<\/em> Pierra Roberta a Les Histoires sacr\u00e9es <\/em>Marca Antoine Charpentiera (oboj\u00ed s Centrem barokn\u00ed hudby ve Versailles pod veden\u00edm Oliviera Schneebeliho), v\u00fd\u0148atky ze sb\u00edrek madrigal\u016f Opella Nova<\/em> a Israelis Br\u00fcnnlein <\/em>Johanna Hermanna Scheina (soubor Sagittarius pod veden\u00edm Michele Lapl\u00e9niho) a takt\u00e9\u017e Kant\u00e1ty pro sopr\u00e1n<\/em> Friedricha Buxtehudeho se souborem Le Concert bris\u00e9 pod veden\u00edm Williama Dongoise. V roce 2012 nato\u010dila se souborem Pygmalion (Rapha\u00ebl Pichon) M\u0161i h-moll<\/em> od Johana Sebastiana Bacha. Se souborem Il Festino Manuela de Grange nahr\u00e1la Italsk\u00e9 arie za doby Ludv\u00edka XIII<\/em> (2012) a Arie<\/em> Stefana Landiho (2015). Posledn\u00edmi p\u0159\u00edr\u016fstky do diskografie jsou Concert royal de la Nuit<\/em> se souborem Les Correspondances (S\u00e9bastien Dauc\u00e8), Natale in Italia<\/em> se souborem La Fenice (Jean Tub\u00e9ry), moteta La Majest\u00e9<\/em> Lalandeho se souborem Le po\u00e8me harmonique pod veden\u00edm Vincenta Dumestreho a nakonec Douce F\u00e9licit\u00e9<\/em> zahrnuj\u00edc\u00ed skladby Michel Lamberta a S\u00e9bastiena Le Camuse a CD Donna<\/em> se skladbami Monteverdiho, oboje se souborem Il Festino pod veden\u00edm Manuela de Grange.<\/p>\n

V lednu 2010 zt\u011blesnila Dagmar \u0160a\u0161kov\u00e1 roli Corisandy v ope\u0159e Jeana-Baptista Lullyho Amadis<\/em> v divadle Avignon v ji\u017en\u00ed Francii a takt\u00e9\u017e v Ope\u0159e Massy u Pa\u0159\u00ed\u017ee pod taktovkou Oliviera Schneebeliho. V roce 2011 se ve spolupr\u00e1ci s Musicou Floreou (Marek \u0160tryncl) p\u0159edstavila v roli Apolla v H\u00e4ndelov\u011b ope\u0159e Terpsicore<\/em> v Z\u00e1meck\u00e9m divadle Mnichova Hradi\u0161t\u011b a v Z\u00e1meck\u00e9m divadle v \u010cesk\u00e9m Krumlov\u011b. Se souborem Les Paladins (J\u00e9r\u00f4me Correas) jsme ji op\u011bt v roce 2011 mohli vid\u011bt v ope\u0159e Egisto<\/em> od autorsk\u00e9 dvojice Mazzochi\/Marazzoli jako Moschino, Ninfu, Rubani\u00e8re a Fleure; o dva roky pozd\u011bji jako Melanto v N\u00e1vratu Odyssea<\/em> od Claudia Monteverdiho (turn\u00e9 po Francii). V z\u00e1\u0159\u00ed roku 2013 ztv\u00e1rnila roli Ninfy v Monteverdiho Orfeovi za \u0159ekou Gangou<\/em> v New Delhi v Indii (takt\u00e9\u017e Cit\u00e9 de la Musique v Pa\u0159\u00ed\u017ei) pod veden\u00edm Fran\u00e7oise Lasserre, soubor Akademia. V prosinci t\u00e9ho\u017e roku se pak v Lyonu (takt\u00e9\u017e v Uz\u00e8s) objevila v tituln\u00ed roli v Dido opery Dido a Eneas od Henryho Purcella (soubor La Fenice). V roce 2016 vyrazila jako Judita na turn\u00e9 s projektem Les Histores sacr\u00e9es<\/em> Marca Antoine Charpentiere do Ji\u017en\u00ed Koreje s Centrem barokn\u00ed hudby ve Versailles (dirigent Olivier Schneebeli, re\u017eie Ana Yepes). Ve francouzsk\u00e9m turn\u00e9 Orfeo za \u0159ekou Gangou<\/em> v roce 2016 zt\u011blesnila roli Musiky a Messagiery na sc\u00e9n\u011b Arsenalu de M\u00e9t\u00e1ch a v ope\u0159e v Reme\u0161i. V roce 2018 ztv\u00e1rnila p\u011bt rol\u00ed v Europe Galante<\/em> of Andr\u00e9ho Campra ve Wienerkonzerthausu ve V\u00eddni (La Simphonie du Marais pod veden\u00edm Hugo Reyneho). V ope\u0159e Le monde \u00e0 l’envers<\/em> Baldassare Galuppiho se potom p\u0159edstavila jako Aurora v Avignononsk\u00e9 ope\u0159e a v pa\u0159\u00ed\u017esk\u00e9 filharmonii (soubor Akad\u00eamia pod veden\u00edm de Fran\u00e7oise Lasserre).<\/p>\n

Dagmar \u0160a\u0161kov\u00e1 pravideln\u011b p\u0159ipravuje recit\u00e1ly s cembalistkou a varhanic\u00ed Kate\u0159inou Chrobokovou <\/a>. S pianistkou Vendulou Urbanovou uskute\u010dnila v roce 2014 cuklus koncert\u016f \u010desk\u00e9 hudby (romantick\u00e9, 20. stolet\u00ed) v \u010cesk\u00e9m centru v Pa\u0159\u00ed\u017ei<\/a>.<\/p>","protected":false},"excerpt":{"rendered":"

Mezzosopranistka Dagmar \u0160a\u0161kov\u00e1 (1978) poch\u00e1z\u00ed z Rakovn\u00edka. Vystudovala s\u00f3lov\u00fd zp\u011bv (p\u011bveck\u00e1 t\u0159\u00edda Ludmily Kotnauerov\u00e9), hudebn\u00ed v\u00fdchovu a psychologii na Pedagogick\u00e9 fakult\u011b Z\u00e1pado\u010desk\u00e9 univerzity v Plzni. V roce 2002 z\u00edskala 2.Read more about \u017divotopis<\/span>[…]<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-fullwidth.php","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-33","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.dagmarsaskova.com\/cz\/wp-json\/wp\/v2\/pages\/33","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dagmarsaskova.com\/cz\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.dagmarsaskova.com\/cz\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.dagmarsaskova.com\/cz\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dagmarsaskova.com\/cz\/wp-json\/wp\/v2\/comments?post=33"}],"version-history":[{"count":36,"href":"https:\/\/www.dagmarsaskova.com\/cz\/wp-json\/wp\/v2\/pages\/33\/revisions"}],"predecessor-version":[{"id":831,"href":"https:\/\/www.dagmarsaskova.com\/cz\/wp-json\/wp\/v2\/pages\/33\/revisions\/831"}],"wp:attachment":[{"href":"https:\/\/www.dagmarsaskova.com\/cz\/wp-json\/wp\/v2\/media?parent=33"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}